Color grading in final cut1/2/2024 Then again, there are those who don’t use it because they have bought into the false notion that Final Cut Pro X is not a “professional” NLE. there was no upgrade path from version 7 and the legacy version was “End of Life’d” at the same time that Final Cut Pro X was released), that many editors today refuse to use it on principle. So angry they were at extreme changes Final Cut Pro had undergone, and the way in which the transition was handled (e.g. I’ve read comments on sub-Reddits where editors have admitted as much. It’s just “iMovie Pro” some still say.īelieve it or not, some people still poo-poo the NLE not necessarily because they think it’s not capable, but because they are still hurt. To this day, ten years later, I still read comments from editors who claim Final Cut Pro X is not for professionals. However, hop on any sub-Reddit, Facebook group, or any other forum for professional editors, and you wouldn’t necessarily know it. As any professional editor who uses the program will tell you, the “legacy” version of the software pales in comparison to the power and speed of Final Cut Pro X. I can’t help but wonder if the engineers over at Apple didn’t have this phrase in mind when they took to rebuilding Final Cut Pro from scratch. The famous late 70s TV show “The Six Million Dollar Man” had a famous line from its opening credit sequence: Nothing could have been further from the truth. And perhaps the greatest change of all was that magnetic timeline.Īfter nearly a decade of slowly becoming a formidable competitor in the NLE space, this new version seemed like it was some kind of tacit announcement that Apple was abandoning the professional market. Key collections replaced “Bins.” Tracks were completely eliminated. On top of that, it adopted an entirely new paradigm for how it worked. Many of the core features that were popular and used frequently in Final Cut Pro 7 were not in Final Cut Pro X when it released. Installing them is easy, using them is easy, and each plugin stills allows you to fine-tune/edit each animation. If you're a Final Cut Pro or Davinci Resolve user, I highly suggest giving MotionVFX plugins a try.As promising as the announcement was, two months later when the new version was released, perhaps not even Apple could have predicted the blowback. Although they are a sponsor, I can honestly say they make the best plugins I've ever used for any video-editing software. The other thing I've been playing with in Final Cut has been more plugins by MotionVFX. After spending the day playing with it, I no longer feel that Final Cut is at a major disadvantage in this area. Although Premiere does have more color grading tools, Final Cut has the most important and standard tools. In the video above, I took a deep dive into color grading in Final Cut. How is this done in Final Cut Pro? What am I missing? Premiere lets you open multiple projects and/or multiple editing sequences simultaneously, and you can drag clips among them all. In many cases, I am editing hours of footage, and moving a two-second clip among four hours of footage by dragging it around a single timeline is a nightmare. At the moment, my biggest issue with Final Cut Pro is its inability to work on two or more sequences simultaneously.
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